Particular Moments

More Stars than There are

Month: November, 2015

Dare Not

Say “Thank you so much for your understanding,” or “You are so nice!”—for my extension of kindness and empathy arises mostly from insufferable personal defects.

I like being the helping hand; doing so grants me an alternate sense of purpose, which I mainly deploy to escape from my own fatal flaws and obstacles.

My obligate alliance with an often-times unconditional compassion is rooted, like an oxymoron, in absolute cruelty. Prior to witnessing the finer and more praiseworthy virtues in all, instincts drive me to instead, first explore each and everyone’s deepest vulnerabilities and darkest fears. The innate knack for understanding how to scar a human beyond the point of his/her recovery, is all mine. It is due to my fear of these racing, caustically detrimental insights, that I strive to behave in the other polar-extreme.

As if a sponge, my essence and motivation lie largely external—intrinsic incentives do not nearly invoke the same type of joy in me:

Allow me into your life, love, so I would finally have a reason to improve myself—count on me, so I could help myself to be of most efficient and useful help to you.

This is my constant mentality. No needs from those around me, and I become stagnant and putrid, an cesspool of all lamentable human qualities.

I hate but need and crave to be used. Give me the illusion of being exclusively needed; give me the eventual misery of being exploited. I love it all. I love it all because otherwise I have no excuse to live—the greatest gift of all, most days is but a joke.

I’ve got a thing; I’ve got a thing resembling the defining feature of stereotypical introverts: heightened sensitivity to external stimuli. In this case, a personally predisposed concentration on all sentiments.

Rationality: to be a writer, one must successfully to become not one, but many—the causal relationship between the two skills is arguably and easily interchangeable. 

In public quarters, I feel the Many. The urges and frustrations and anticipations and ecstasies and passions and sorrows of all presence in sight—their so-called “vibes” and “energies,” like the very air which we all share, saturate the large, empty vessel within, and I become, without free-will, the Many. AND THEY CLASH AND BOUNCE FIERCELY IN MY CURSED CHEST TO ITS BRINK OF UNATTAINABLY BURSTING INTO CRIMSON PIECES.

Inspect my countenance: absent-minded, aloof, even pretentiously in bad taste—reality says I’m hiding, suppressing, desperately swallowing the Many, so I won’t collapse.

You must understand…human emotions, they are nothing but heavy. I feel my senses crushed dumb by such thick density—short circuiting the designed tolerances of my making, overheating and exhausting it towards the verge of being fried, beyond saving.  

Because of this, in the face of those desolate and needy and decrepit (even if seemingly), their dark stains I feel perfusing into my preferred blank sheet. Thus, out of a selfish need to rid of their emotional imprisonment over me—to temporarily erase the good troubled conscious,  I am urged into “goodwill” and “niceness,” dropping my task at hand, tending to the tragedy at their hands, and frequently in futile attempt, to put them, and me, at ease.

 

 

Conversations: Mutual Surmising

“About you, Miss Lynd? Well, your beauty’s a problem. You worry you won’t be taken seriously.”

“Which one can say of any attractive woman with half a brain.” She abruptly responds, factually.

“True. But this one overcompensates by wearing slightly masculine clothing. Being more aggressive than her female colleagues. Which gives her a somewhat *prickly* demeanor, and ironically enough, makes it less likely for her to be accepted and promoted by her male superiors, who mistake her insecurities for arrogance. Now, I’d have normally gone with ‘only child,’ but by the way you ignored the quip about your parents… I’m going to have to go with ‘orphan.'”

[she grins, her chin slightly raised, and fixed her gaze upon him]:

“All right… by the cut of your suit, you went to Oxford or wherever. Naturally you think human beings dress like that. But you wear it with such disdain, my guess is you didn’t come from money, and your school friends never let you forget it. Which means that you were at that school by the grace of someone else’s charity: hence that chip on your shoulder. And since your first thought about me ran to “orphan,” that’s what I’d say you are.”

[he smiles, silent]

She continues, “Oh, you are? I like this poker thing. And that makes perfect sense! Since MI6 looks for maladjusted young men, who give little thought to sacrificing others in order to protect queen and country. You know… former SAS types with easy smiles and expensive watches.”

[he glances at his wrist]

Conversations: The Framed Portrait

“Is that…a picture of Hannah?” Looking at the picture, framed and airbrushed—all too formal for its intended purpose, whatever it might have been—you felt uneasy.

“Yeah, man.” He replied in a-matter-of-fact way.

“That’s interesting…hmm, *hmmphh—–hahaha…..oh gosh, Bryan” there was something about the portrait, enclosed by a wooden frame, that struck you as hilariously bizarre.

“What, is it not okay for me to have a picture of my girlfriend?” He joked, impersonating the shrilling tone of a stereotypical prick; however, he was obviously annoyed.

.

Your girlfriend. I’d imagine she’s more than that. 

.

You threw a more probing humor at him, “So, what’s this, some kinda trophy? Like a proud declaration saying, ‘Oh YES, I’ve got her. Yep, kept my eyes ON the PRIZE…Now she’s all MINE.’ Does that kinda-sorta represent the mentality behind this gesture?”

Whenever you decide to interrogate someone, to avoid being socially unacceptable, you always present your questioning in a nasty, comedic manner. In this case, you did your best to furnish your line with Le American Southern Twang (momentously lyrical and intoxicatingly addictive of an accent to listen to and practice with).

“Whatever. Look, this is what people do when they are in serious relationships.”

“Really? I thought that’s what people do when their daughters graduate from high school and leave the nest for a couple of years. You know, the glamour shot; close-up portrait and stuff like that; for glorified remembrance.”

“You are over thinking it, _______(place name here). It’s just a picture, like I have framed photos of my family.”

“Well hey, you do whatever. I just really hope you are not trying to make her into a sister of some sort. That’d be crazier than all of my previous suspicions” you chuckled.

Bryan looked at you, in an irritated disdain, “Fuck you, _______.”

.

Christ, what a compulsive liar. Bryan, you and your self-righteous justifications—you lying, cheating fucktard. 

 

 

 

Floral Season: 1

Garden_Noir

Or is it? Are they simply, forcibly, and artificially alive for our pleasure?

I’m sorry; lately all I see is white in black, or vice versa.

When In Doubt: Part 2

No, think in Mono instead.

                                            No, think in Mono instead.

Faith in Ideal

Paraphrasing:

True divinity is the condensation of an universal, collective consciousness that is rooted in compassion, peace, and wisdom. The worshipping of such is silent and solitary, yet free from all self-serving ends. Each spiritual experience is personal, distinct from another, and should not be judged upon or meddled with—each soul ought to strive to become conscious of the divinity that is itself. 

Faith shall not be underlined by the conventional, repressive dogma that is advocated by manipulative creeds—no shrine or temple aspire to the process of mankind care-taking for nature, nor do they avert the human civilization from falling deeper into the de-evolutionary notions of oppression and power.

The divine comprises no absolute messiahs, instead, it constitutes an all reaching awareness that which rescues each being by inspiring it towards greater intents.

One Track

Take it or leave it: an unapologetic disposition is okay at times.

Take it or leave it: an unapologetic disposition is okay at times.

Disposable

Durable nonetheless.

                                                Durable nonetheless.

When In Doubt

Stop and think in Noir.

                                              Stop and think in Noir.

Compartmentalize, Optimize.

“You see…I consider that man‘s brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has a difficulty in laying his hands upon it. Now the skillful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.”

—S.H.