Particular Moments

More Stars than There are

Tag: philosophy

Revelation

could occur so suddenly, that the truth becomes more shocking than revelatory

Do We All, and Always, Run and Hide?

There is no Pill
Or Beverage

That can fix
It
All—

One can run,
Into the open,
Escape the slaving dungeon,

But darkness
Follows, and condenses
Wherever He should

Lay to Rest—

One can forever
Run,
Only to realize

A Life’s Time
Is not enough
To hide.

So Young one,
You and your
Unspent Beauty,

Take to the Strenuous strides;

Learn to work
In darkness,
But resting in Light.

Enjoying and Suffering the Passions

“Once you suffered passions and called them evil. But now you have only your virtues left: they grew out of your passions…And whether you came from the race of the choleric or the voluptuous or the fanatic or the vindictive:

All your passions in the end became virtues, and all your devils angels.

Once you had wild dogs in your cellar: but they changed at last into birds and charming singers.

Out of your poisons you brewed your balsam; you milked your cow, misery—now you drink the sweet milk of her udder.”

—Nietzsche.

Tolls of Being “Loved by gods”

” ‘You don’t understand me, Harry,’ answered the artist. ‘Of course I am not like him. I know that perfectly well. Indeed, I should be sorry to look like him. You shrug your shoulders? I am telling you the truth. There is a fatality about all physical and intellectual distinction, the sort of fatality that seems to dog through history the faltering steps of kings. It is better not to be different from one’s fellows. The ugly and the stupid have the best of it in this world. They can sit at their ease and gape at the play. If they know nothing of victory, they are at least spared the knowledge of defeat. They neither bring ruin upon others, nor ever receive it from alien hands. Your rank and wealth, Harry; my brains, such as they are—my art, whatever it may be worth; Dorian Gray’s good looks—we shall all suffer for what the gods have given us, suffer terribly.’ ”

—Basil from The Picture of Dorian Gray

Dare Not

Say “Thank you so much for your understanding,” or “You are so nice!”—for my extension of kindness and empathy arises mostly from insufferable personal defects.

I like being the helping hand; doing so grants me an alternate sense of purpose, which I mainly deploy to escape from my own fatal flaws and obstacles.

My obligate alliance with an often-times unconditional compassion is rooted, like an oxymoron, in absolute cruelty. Prior to witnessing the finer and more praiseworthy virtues in all, instincts drive me to instead, first explore each and everyone’s deepest vulnerabilities and darkest fears. The innate knack for understanding how to scar a human beyond the point of his/her recovery, is all mine. It is due to my fear of these racing, caustically detrimental insights, that I strive to behave in the other polar-extreme.

As if a sponge, my essence and motivation lie largely external—intrinsic incentives do not nearly invoke the same type of joy in me:

Allow me into your life, love, so I would finally have a reason to improve myself—count on me, so I could help myself to be of most efficient and useful help to you.

This is my constant mentality. No needs from those around me, and I become stagnant and putrid, an cesspool of all lamentable human qualities.

I hate but need and crave to be used. Give me the illusion of being exclusively needed; give me the eventual misery of being exploited. I love it all. I love it all because otherwise I have no excuse to live—the greatest gift of all, most days is but a joke.

I’ve got a thing; I’ve got a thing resembling the defining feature of stereotypical introverts: heightened sensitivity to external stimuli. In this case, a personally predisposed concentration on all sentiments.

Rationality: to be a writer, one must successfully to become not one, but many—the causal relationship between the two skills is arguably and easily interchangeable. 

In public quarters, I feel the Many. The urges and frustrations and anticipations and ecstasies and passions and sorrows of all presence in sight—their so-called “vibes” and “energies,” like the very air which we all share, saturate the large, empty vessel within, and I become, without free-will, the Many. AND THEY CLASH AND BOUNCE FIERCELY IN MY CURSED CHEST TO ITS BRINK OF UNATTAINABLY BURSTING INTO CRIMSON PIECES.

Inspect my countenance: absent-minded, aloof, even pretentiously in bad taste—reality says I’m hiding, suppressing, desperately swallowing the Many, so I won’t collapse.

You must understand…human emotions, they are nothing but heavy. I feel my senses crushed dumb by such thick density—short circuiting the designed tolerances of my making, overheating and exhausting it towards the verge of being fried, beyond saving.  

Because of this, in the face of those desolate and needy and decrepit (even if seemingly), their dark stains I feel perfusing into my preferred blank sheet. Thus, out of a selfish need to rid of their emotional imprisonment over me—to temporarily erase the good troubled conscious,  I am urged into “goodwill” and “niceness,” dropping my task at hand, tending to the tragedy at their hands, and frequently in futile attempt, to put them, and me, at ease.

 

 

Faith in Ideal

Paraphrasing:

True divinity is the condensation of an universal, collective consciousness that is rooted in compassion, peace, and wisdom. The worshipping of such is silent and solitary, yet free from all self-serving ends. Each spiritual experience is personal, distinct from another, and should not be judged upon or meddled with—each soul ought to strive to become conscious of the divinity that is itself. 

Faith shall not be underlined by the conventional, repressive dogma that is advocated by manipulative creeds—no shrine or temple aspire to the process of mankind care-taking for nature, nor do they avert the human civilization from falling deeper into the de-evolutionary notions of oppression and power.

The divine comprises no absolute messiahs, instead, it constitutes an all reaching awareness that which rescues each being by inspiring it towards greater intents.

Compartmentalize, Optimize.

“You see…I consider that man‘s brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has a difficulty in laying his hands upon it. Now the skillful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.”

—S.H.

Connotations of Work

“No, I don’t like work. I had rather laze about and think of all the fine things that can be done. I don’t like work—no man does—but I like what is in the work, the chance to find yourself; your own reality—for yourself, not for others—what no other man can ever know. They can only see the mere show, and never can tell what it really means.”

—Joseph Conrad, Heart of Darkness.

Neighborhood Tomboy

Down the street lives a family of newcomer-neighbors. Parked next to their side walk is a red, bulky pickup truck that rendered its respective portion of the street only wide enough for one car to pass through at any given time. The truck is always parked there. Other neighbors do not complain, neither do you—rumor has it that the husband is afflicted with brain tumor.

The adults are rarely seen out, but ever since their move-in, this side of the community has lightened up several notches. The children of the Red-Truck residence, being such active roamers as they are, really brought about a new air in this neighborhood full of folks who have settled here since the 60’s.

The boldest of the little ones is a girl, no older than 5 or 6 by appearance; she stands out like a protagonist before a subordinate, background crowd. More so an outside kid, she is always seen sporting slightly oversized T-shirts and knee-length athletic shorts; every now and then she’d have a baseball cap on backwards—a quintessential tomboy whose childhood is fortunately left untempered.

Never prim and pretty, but she is beautiful, no amount of androgyny could mask the conspicuous elements that so clearly identify her as who she is.

.

In the summer, she frequently rode her bright yellow, 4×4 motorcycle. Judging by the implied personalities associated with the parked truck, one could presume that the motorbike was a result of her father’s influence. But regardless of where her habits arise from, it was evident that she naturally enjoyed speeding up and down the steady incline leading to the turnaround at the end of the street.

The 4×4, designed more for rougher outdoor terrains—was let loose on flat asphalt roads.  She’d unleash waves of loud rattling throughout the neighborhood. As she made her way, one would hear the gradual amplifications her automobile’s distinctive droning: getting louder, closer, more and more vexing; then right before the noise burns through one’s last straw of tolerance, it’d slowly fade away as she drove off into the distance. The whole process would repeat; the volume of her motor revving would go up and down, getting closer and further progressively, like the affairs of a sinusoidal wave.

She’d wave her hand and smile with her dimples, showing an un-corrected set of juvenile teeth—squinting her eyes against the summer sun, she was a cheery rascal.

.

The fall comes and the place grows quieter. Perhaps due to some neighbors having finally made their confrontations, the Red Truck now belongs to the driveway. You often come home to a vacant scene, with no children playing in the streets. School, maybe—is summer the only and true time to rightfully be a kid?

You don’t like the mood change, for it has gotten so deflating.

Much to your surprise, a few afternoons back, as you pulled into the driveway, there she was again, walking down the street with the sun on her back; her pony tail had gotten long and frazzled, subtly fluttering from side to side as she walked in her distinctive gait.

The sight of her made you smile—how could this little person, merely a feet taller than a fire hydrant, while waddling down the sidewalk, encompass such promise and livelihood?

For a second, you couldn’t help but to have envied her untamed stage in life. Age and all that you have irreversibly become. The things that chronically cause you to beg, ‘how did I get like this?’ The things that you’ve become as time moved on; you have become them—without a clue as to how. You are terrified at how things have turned out; all the things that are seemingly stuck and cannot be shed off. Oh how you wish for an impossible shot at backtracking your steps.

But it was all okay. Just like the little tomboy is still around—just like how you and everyone else had accepted, even cherished her summer-time, deadening engine thrums.

Nothing hampers the spirit of youth, especially its embodied symbol of ever-uplifting hope. With age, certain things gray, and chance begins to offer fewer and fewer prospects, but there will always be youth to keep its neighbor’s lights on—its time defying innocence and energy manifesting themselves time after time, bearing the torch-flame of life forever long.

In Steady Defiance

 

“Though much is taken, much abides; and though

We are not now that strength which in old days

Moved earth and heaven, that which we are, we are,

One equal temper of heroic hearts,

Made weak by time and fate, but strong in will

To strive, to seek, to find, and not to yield.”

 

—excerpt from Ulysses,

Lord Alfred Tennyson.