A Good Officer
“I’m a good officer. But in this world that’s not enough. In this world, you have to nod and smile and drink a pint, and say ‘How was your day?’ In this world no one can be different or strange or damaged.”
—DI River.
“What do you hate the most?”
“..Why do you ask?”
“I know this is a bit personal, but it’s necessary for your psychological profile.”
“I suppose. You mind if it’s a list?”
“Of course not, go ahead.”
“Um, apathy? Ownership, deceit, betrayal…hate? Rigidness, Narrow minds. Being overly fair and square—with physical, material objects. It’s different from emotional fairness, which is actually more of an ideal.”
“Alright” she said, reassuringly, as she finished jotting down on her notepad. “Now, let’s move on to a different question.” She smiled, politely.
.
Damn it, this is definitely and most easily an occasion better suited for bad television.
.
“What do you love?”
“What do you mean?”
“Anything that comes to mind that strikes you as sacred—you may make a list for your answer as well.” She was encouraging, and gentle—but really, professional. It’s her profession, a vocation.
“Phew…this is challenging. Uh, oranges.”
She smiled again, but this time more obligated, annoyed. “How about a serious answer?”
“None of this.”
“Pardon me?”
“You asked for what I loved.”
Say “Thank you so much for your understanding,” or “You are so nice!”—for my extension of kindness and empathy arises mostly from insufferable personal defects.
I like being the helping hand; doing so grants me an alternate sense of purpose, which I mainly deploy to escape from my own fatal flaws and obstacles.
My obligate alliance with an often-times unconditional compassion is rooted, like an oxymoron, in absolute cruelty. Prior to witnessing the finer and more praiseworthy virtues in all, instincts drive me to instead, first explore each and everyone’s deepest vulnerabilities and darkest fears. The innate knack for understanding how to scar a human beyond the point of his/her recovery, is all mine. It is due to my fear of these racing, caustically detrimental insights, that I strive to behave in the other polar-extreme.
As if a sponge, my essence and motivation lie largely external—intrinsic incentives do not nearly invoke the same type of joy in me:
Allow me into your life, love, so I would finally have a reason to improve myself—count on me, so I could help myself to be of most efficient and useful help to you.
This is my constant mentality. No needs from those around me, and I become stagnant and putrid, an cesspool of all lamentable human qualities.
I hate but need and crave to be used. Give me the illusion of being exclusively needed; give me the eventual misery of being exploited. I love it all. I love it all because otherwise I have no excuse to live—the greatest gift of all, most days is but a joke.
I’ve got a thing; I’ve got a thing resembling the defining feature of stereotypical introverts: heightened sensitivity to external stimuli. In this case, a personally predisposed concentration on all sentiments.
Rationality: to be a writer, one must successfully to become not one, but many—the causal relationship between the two skills is arguably and easily interchangeable.
In public quarters, I feel the Many. The urges and frustrations and anticipations and ecstasies and passions and sorrows of all presence in sight—their so-called “vibes” and “energies,” like the very air which we all share, saturate the large, empty vessel within, and I become, without free-will, the Many. AND THEY CLASH AND BOUNCE FIERCELY IN MY CURSED CHEST TO ITS BRINK OF UNATTAINABLY BURSTING INTO CRIMSON PIECES.
Inspect my countenance: absent-minded, aloof, even pretentiously in bad taste—reality says I’m hiding, suppressing, desperately swallowing the Many, so I won’t collapse.
You must understand…human emotions, they are nothing but heavy. I feel my senses crushed dumb by such thick density—short circuiting the designed tolerances of my making, overheating and exhausting it towards the verge of being fried, beyond saving.
Because of this, in the face of those desolate and needy and decrepit (even if seemingly), their dark stains I feel perfusing into my preferred blank sheet. Thus, out of a selfish need to rid of their emotional imprisonment over me—to temporarily erase the good troubled conscious, I am urged into “goodwill” and “niceness,” dropping my task at hand, tending to the tragedy at their hands, and frequently in futile attempt, to put them, and me, at ease.
Paraphrasing:
True divinity is the condensation of an universal, collective consciousness that is rooted in compassion, peace, and wisdom. The worshipping of such is silent and solitary, yet free from all self-serving ends. Each spiritual experience is personal, distinct from another, and should not be judged upon or meddled with—each soul ought to strive to become conscious of the divinity that is itself.
Faith shall not be underlined by the conventional, repressive dogma that is advocated by manipulative creeds—no shrine or temple aspire to the process of mankind care-taking for nature, nor do they avert the human civilization from falling deeper into the de-evolutionary notions of oppression and power.
The divine comprises no absolute messiahs, instead, it constitutes an all reaching awareness that which rescues each being by inspiring it towards greater intents.
“You see…I consider that man‘s brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has a difficulty in laying his hands upon it. Now the skillful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.”
—S.H.
Paying a visit to particular, neglected artifacts, you couldn’t help but to have noticed a person behind their marks of past usage—prints from a younger pair of hands.
After having been away for ages, remnants of another time was refreshing, yet you couldn’t have help but to have felt thoroughly estranged at their sights.
They are comprised of words, methods, and thoughts of an entirely separate man, someone once at the dawn of his making—energized, humorous, and light-heartedly sarcastic—ambivalent of his future endeavors yet managed to enjoy that lack of clarity with ease.
As you sifted through the pages and retraced the steps that, at the time being taken, seemed inconsequential—curtains were drawn and the illusion set in, history regained vitality, and you began sensing the former vigor filling your present network of veins.
And so drastically different was this old essence—in fact, so rejuvenating and bright and untamed it felt—that you were overcome and rendered irretrievably deplorable by it: this blood has become foreign.
That certain green air which you once carried, no longer suited so nicely as your natural skin—as they were.
As frequently as you enforce (reassuringly) upon yourself the notion that age has left you unscathed, in the face of solid, tangible vestiges of a fresher man—who has been left behind in between the old pages—you are helplessly, helpless, for they hold firm and irrefutable proof that, you too, have inevitably aged.
.
.
.
**Comic Relief:
“fuck.
agh…UGH.
—whatever.”
“No, I don’t like work. I had rather laze about and think of all the fine things that can be done. I don’t like work—no man does—but I like what is in the work, the chance to find yourself; your own reality—for yourself, not for others—what no other man can ever know. They can only see the mere show, and never can tell what it really means.”
—Joseph Conrad, Heart of Darkness.
First curious glance,
A definite presence—
Not flauntingly
Conspicuous,
Vain, or
Cheaply lustrous,
But glaring
As ink
On Snowy,
Unsoiled canvas—
Every distinctive drop
Seeping, immutably
Solidifying onto
Untouched fibers
Of remembrance.
Never a dull
Moment
Persists with you—
Sprightly, animated,
Keen, and poignant;
Bottom of despair—
A Tragic
Iconoclast.
Oh yes,
I see
And
I know,
Out from
A concealed
Vase pours
Your tenuous
Yet
Unbound
Kindness—
Dearly,
You dare
To love all
Earthly kin.
For the very multitude
That is
Exclusively
You,
Sole
Fellow Aquarius,
I love,
Applaud,
And remain
A loyal audience
To you—
For this precisely,
I must learn
To once so often,
Love to Hate
You so.